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Helen Phelan is Professor of Arts Practice at the Irish World Academy of Music and Dance, University of Limerick, Ireland and director of the PhD in Arts Practice. She is an Irish Research Council recipient for her work on music and migration. She is co-founder of the female vocal ensemble Cantoral, specializing in Irish medieval chant, and founder of the Singing and Social Inclusion group. She is principal investigator for the HRI (Health Research Institute) funded research cluster exploring the use of singing and other participatory arts-based methods in migrant health research. Recent books include Singing the Rite to Belong: Music, Ritual and the New Irish (Oxford University Press), and The Artist and Academia (Routledge) with Graham Welch. She is the founding and current Chair of IMBAS.
Yvon Bonenfant, PhD, is Head of Department, Theatre at UCC and leader of the MA Theatre and Performative Practices Performance and Activism theme. His artistic research explores the intersection of voice and vocality, identity, touch, marginalised audiences, participation, queerdom and interdisciplinary composition for performance, integrating betimes engineering, coding, textile design and voice science. Funders have included the IRC, the Wellcome Trust, the UK’s AHRC, Arts Council England, Youth Music, Postcode Community Trust. He has shown work in 14 countries and published widely. His project Resonant Tails, for children with Profound and Multiple Learning Disabilities, currently runs in 4 schools.
John Godfrey is a Senior Lecturer in the Music Department of University College Cork. His research interests include performance of contemporary art music, improvisation, composition, Expanded Instrument Systems, experimental music and other sonic arts.
He was the cofounder and Musical Director of Icebreaker (UK), 1989-1997; founder member of Crash Ensemble (IRL), 1997-2017; founder of Quiet Music Ensemble (2008-present). He has performed and been broadcast worldwide and appears on many commercial and non-commercial publicly available recordings.
Institution/Affiliation: University College Cork
Field of Practice/Research: Music
Link: Quiet Music Ensemble
Diviane Helena de Oliveira
Artistic director, choreographer, performer, dancer, writer and art therapist. The focus of my artistic work is on the poetic language of sensations, challenging modes of interaction between bodies, cultures and subjectivities. I direct and coordinate artistic projects in Brazil and Ireland. I have experience in solo creations, collaborative projects, and community art projects. I am developing an artistic investigation entitled Sensorygraphy [Sensóriografia] experimenting with relationships between words, movements and bodily senses.
Nowadays enthusiasm, surprise, transcultural questions and affections are the lifeblood of my work. I am a PhD in Arts Practice student at the Irish World Academy of Music and Dance – University of Limerick. I completed my Master of Arts in Art Therapy in 2020 at Crawford College of Art and Design. I hold a Postgraduate in Psychoanalysis: theory and practice, Bachelor’s Degree in Psychology and Psychologist Training at the Universidade Federal Paraná.
A self-confessed musical ‘mongrel’, Matthew Noone is an Australian-Irish ex-indie rocker, improviser, composer, thinker and performer of the 25 stringed lute called sarode. He has studied Indian classical music with Sougata Roy Chowdhury in Kolkata and K. Sridhar in the UK for two decades and works in a diverse range of disciplines ranging from Irish traditional and Indian Classical music to free improvisation and electroacoustic music. He has collaborated with a host of international artists such as Martin Hayes & Dennis Cahill, Liam O Maonlai, Lisa Hanigan,Steve Cooney, Jiggy, K. Subramaniam, Debojyoti Sanyal, Catherine Sikora, Sean Mac Erlaine, Sean Tyrell and the Irish Gamelan Orchestra. He has released two albums with percussionist Tommy Hayes (An Tara) and three solo albums of contemporary material using sarode using loops, feedback, voice, electronics and ukulele!
Institution/Affiliation: University of Limerick
Field of Practice/Research: Music/Improvisation
Link: Personal Website
An award-winning composer and performer, Mel is Professor and Chair of Performing Arts at the Irish World Academy of Music and Dance, University of Limerick, since 2016. He was introduced to music by his father, Peadar Mercier, who taught him to play the bodhrán and bones. Mel collaborated as a traditional
percussionist with pianist and composer Mícheál Ó Súilleabháin for 40 years. Throughout the 1980s, he and his father performed in Europe and the USA with John Cage and the Merce Cunningham Dance Company. Mel has created music for theatre in Ireland and internationally for twenty years, during which time he
has worked regularly with Deborah Warner and Fiona Shaw, Corcadorca (Cork) and Gare St Lazare Ireland.
Awards include: Irish Times Theatre Award for Best Soundscape for the Gare St Lazare production of Beckett’s How It Is – Part I (2018); Irish Times Theatre Award for Best Soundscape for the Corcadorca production of Caryl Churchill’s Far Away (2017); Gradam Cheoil Award for Collaboration for CONCERT with Colin Dunne and Sinead Rushe (TG4, 2018); New York Festival Bronze Medal Award for his radio documentary, Peadar Mercier (RTÉ Doc on One, 2017); New York Drama Desk Award and Tony Award nomination for Colm Tóibín/Deborah Warner/Fiona Shaw Testament of Mary (Broadway 2012).
Current/recent creative projects: ARCADIA (with Deborah Warner). World Premiere, July 2021, at The Factory, Manchester. Co-commissioned by Manchester International Festival and Stanford University; Guests of the Nation (co-devised with Kevin Barry and Pat Kiernan). Produced by Corcadorca and Cork Midsummer Festival in 2021-2022; How it is Film (with Irish Gamelan Orchestra and MÓNCKK). Produced by Gare St Lazare Ireland. World Premiere at Dublin Theatre Festival in October 2021.
Mel is director of the Irish Gamelan Orchestra, which released its debut album The Three Forges to critical acclaim in August 2015. In January 2019, his album of theatre scores, Testament, was released on Heresy Records to critical acclaim. He recently formed the group PULSUS, the first Irish traditional percussion
ensemble, and in 2021 he formed the ensemble MÓNCKK to create and perform original music.
Institution/Affiliation: Irish World Academy of Music and Dance, University of Limerick
Field of Practice/Research: Music, Theatre
Fióna is a poet interested in breaking down the borders between languages and practices. She lives, when possible. between India and Ireland. She is working on becoming a better facilitator and mentor of plurilingual and quieter voices. A recipient of an Arts Council Agility award with a poetry collection forthcoming from Salmon. Workshops she has run include Sticking Out Your Tongue, through Yoda Press Delhi and All the Words in the World, through the Irish Writers Centre. Her first collection is a compound of words (Yoda Press, 2019) and her poems have appears in Poetry Ireland Review, Southword, The Brown Critique and the Chattahoochee Review among others. She is interested in finding the poems in the cracks between borders, all kinds of borders. Loves to collaborate!
Field of Practice/Research: Poetry, Plurilingualism, Creative writing
Link: Personal Website
I am Maziar Kanani, an Iranian music musician and researcher with an interdisciplinary approach. After graduating with an MA from the Art University of Tehran, he has published some papers and an album while my new practical experience is more focused on scoring. The previously published papers are in the rhythm ground, Avaz and Tahrir. The current research is focused on the improvisational conversation between the arts. I have taught music in the universities and Isfahan conservatory as a lecturer for more than four years.
Institution/Affiliation: Irish World Academy
Field of Practice/Research: Music
Link: Sound Cloud
My work spans live electronic performances, audiovisual compositions and media theory. More recently I have developed a keen interest in the issues arising from the relationships between art and technology; a process that has so far led me to question under what forms and forces truly creative efforts may, or may not, arise. I have performed live and exhibited both nationally and internationally, My academic writings features in journals and books by publishing houses such as MIT Press, Springer and with Routledge a book titled An Ethico-Phenomenology of Digital Art Practices (2021). Currently I am Course Director for the BSc in Music Media & Performance Technology at UL.